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Terms and Conditions apply. To read his review, click here. But the piece needs tempo, otherwise it dies immediately. Still, the evening managed to fullfill its goal of presenting a contemporary Blume von Hawaii.
For more information and performance dates, click here. The bigger problem is that too many people think that you have to have either an actor or singer perform these roles- you need to have both.
In this day and age there are loads of people that are talented enough to do both. I saw a video of Ball im Savoy by the Komisch Oper and was mortified to find out that the lead female could not sing the role as written- it was kitsch for kitsch sake- a terrible representation of not only the music but the show in itself.
We put on a much truer production in Chicago that was honest, heartfelt, funny and faithful to what Abraham intended- and we found singers to boot that could really act.
I am sure that Die Blume von Hawaii is suffering from the same malaise that Savoy did- high on clever production values with no emphasis on great singing and acting.
Gerald Frantzen Artistic Director chicagofolksoperetta. Operettas always have to adapt to the time and place where they are performed.
And that is a great achievement. Kosky also managed to make people — and critics — look at these long forgotten and neglected shows anew, with fresh and keen interest.
Which is a miracle. And the performances are nearly always sold out, after all these years. I personally have seen it many times over, and I absolutely love Dagmar Manzel and Katharine Mehrlin in the two lead roles.
She is an incredible actress. That is a no-brainer. And yes the production was fresh- I loved the idea, I loved the scale and I loved that it has inspired an incredible revival of these works, not only in Germany but in the rest of Europe as well including our little company in Chicago.
Would that production have worked here? I am not sure. I will say that we are a theater town and one of the better ones. Certainly as one the largest U.
I enjoyed the production but was underwhelmed by the singing. I worked in Germany for a couple of years and know that there are a lot of great singers and actors that could have done that role as demanded and still hit every note, even in a Barry Kosky production.
The Manzel role was — obviously — written for a world-class oepra soprano. She could not have coped with it, seriously, under any circumstances.
And luckily, she did not even try. She turned the whole role into something new. They both have nothing in common with the original performer ofAnd because of all this, I forgive and forget every shrill Abraham note. She turned the whole role into something new. You can edit your question or rtl2 kostenlose spiele anyway. The alle wimbledon sieger of the acting department of BaselAlmut Wagner, who is also the dramaturg for Blume von Hawaiidid not mention once that Abraham was forced into exile because he was Jewish. Have one to sell? She also claimed that he died in They created mega casino no deposit together. Cristiano ronaldo rekorde that is a great achievement. Still, the evening managed to fullfill its goal of presenting a contemporary Blume von Hawaii. And luckily, she did not even try.